Suffering Soffits!

You might say that I was startled to learn that beadboard, painted and unpainted, appears throughout our Queen Anne neighborhoods on pre-World War II houses.  But my failure is worse.  As a recent stroll down the north side of Queen Anne to Fremont revealed, it isn’t just beadboard.  I’ve simply never paid much attention to unpainted porch soffits, and they are everywhere.  Unpainted soffits of beadboard, knotty pine, ash and other woods appear on a multitude of traditional and modern neighborhood buildings.  Faced with a revelation a neglect of this magnitude, Captain Haddock, the belligerent pal of the Belgian comic strip hero Tintin, would surely have proclaimed, “Suffering Soffits!”

To begin with, a soffit is essentially the underside of architectural features such as porches, eaves and even arches.  In a wooden building, a soffit protects rafters from the weather, birds, wasp nests, and other unwanted intruders from below — just as wooden shakes or asphalt shingles protect them from above.  Where historic plaster and lath or modern-day drywall form ceilings inside buildings, soffits do it on the outside.

According to a recently updated article in the Old House Journal, “Behind the Scenes with Beadboard,” by John Leeke, beadboard flourished in the United States between 1880 and the 1930s.  It appears as a wall covering called wainscoting and on the soffit of porches.  When it appears as a soffit it also sports a fancy middle French name plancier.  Pronounced plan seer, the word means soffit.  Digging into my now rusty knowledge of French philology, I think the word meant ‘board-like,’ or (no surprise) ‘plank-like.’   In modern French, a planche is a board or a plank; of that, I am sure!

These days you can buy beadboard at Home Depot in 4’ by 8’ sheets, but I think of the beadboard on old houses on Queen Anne as upside-down flooring.  That’s because they are narrow 3- or 4-inch boards which are edge-matched or tongue-in-groove.  Nails tacked through the tongue are hidden from view.  The installed boards show 2 ¼ or 3 ¼ inches of wood because the hidden tongues measure about ¾ inch.  According to Leeke, the boards ranged in thickness from ¾ inch to as thin as inch.

                                                             Above:  a great unpainted porch soffit on 2nd Ave. N.

It comes as no surprise that the most distinctive feature of beadboard is the half round bead (!) along which runs a quirk or deep recess.  All that busyness happens along the top of the groove and serves to hide the seam between the two planks.  Beadboard can be painted, oiled, varnished or even treated with specialized coverings such as linseed, teak or tung oil.  Polyurethane, which has a plasticky look and feel, is often used, even though it is sure to peel off in time.

On my Craftsman Bungalow on First Ave. N., the soffits are painted.

Beadboard:  bead may be drowned in paint; a historical fixture

Without doing a lot of delicate scraping and paint removal that I am unwilling to do, I can’t be sure they were left bare in 1907.  Nearly all the soffits down the hill are edge-matched (tongue in groove) beadboard.  There are a fair number of unpainted porch soffits on Second Ave. N. below Queen Anne Drive.  I think they look great, but in my many strolls around the neighborhood straining my neck to observe every soffit, I find that most of them are painted.

That said, you might be stunned to learn that I have become a great fan of varnished or oiled soffits.  I haven’t figured out why people went to the trouble unless it was simply an aesthetic choice.  A colleague on the Board of the Queen Anne Historical Society is busy rehabilitating a house on Queen Anne.  Her house will sport unpainted beadboard soffits finished with a product called Warhorse which was introduced about 1907 — the same time her house and mine were built.  My board colleague taught me about unpainted soffits in the first place.

Then I went looking for them everywhere.  I can report that the new garage on the alley at W. Boston between 1st and 2nd W. has a tiny unpainted soffit over its roll up door.  When I asked the garage owners how they had known to treat the soffit that way, they attributed the choice to their painter.  Obviously, traditions have lasting value in the trades!

                                    Beautifully maintained soffit at 2919 2nd Ave N.

To that point, there is a new house on the northwest corner of W. Prospect and First Ave W. that adopts the soffit feature handily.  Indeed, the soffit actually wraps down the northern wall of the house to embrace the entranceway.

                                                   House of many planes at 1101 1st Ave W.  Built in 2020

 

                                                    Soffit wrapping to  vertical wall at 1101 1st Ave. W.

Still in Queen Anne, you’ll find a big wooden soffit gracing the new building on the parking lot of the former Bleitz Funeral Home at Florentia and 3rd Ave.

                                 Building on Florentia at Bleitz site looking westerly

Frankly, I think it is beautiful. It is apparently constructed of edge-matched knotty pine.  I don’t know how it is finished, but the wood isn’t stained.

                                Knotty pine soffit looking north at Bleitz site

It is a grand addition to our neighborhood.

                                   Soffit at Tableau Building 744 N. 34th St.
                                                   Entrance and Canopy with wooden soffit at Tableau

Just across the canal in Fremont, the Tableau building and the brand-new Watershed, both under the Aurora Bridge on the north side of N. 34th St. ,have elegant wooden soffits.

Aurora Bridge above the Watershed                                            Soffits at Watershed, 900 N. 34th St.

The most elegant modern soffit to attract my attention isn’t in the neighborhood.  It is on the new 2+U Building south of SAM at 1223 Second Ave.  Designed by Graham Baba, its construction was overseen by a friend of mine who works for Kendall/Heaton Associates Inc. of Houston.

                              Ash Soffit at 2+U looking southeast and up

He reports:  “The wood soffit seen from the ground plane is Rulon (brand) solid ash.  It is coated with Sherwin Williams Ken Aqua Lacquer.  The lacquer selection is crucial in commercial construction since building code requires an assembly that maintains a Class A fire rating.”

As you walk around our neighborhood, Fremont, or even downtown, abide by the architectural historian’s mantra:  Look up!  You too will join Captain Haddock and me as we exclaim, “Suffering Soffits!”

N.B.:  For better and for worse, the author took all the photos used here.

Queen Anne Historical Society Awards Ceremony

You’re invited to enjoy fabulous views at the Swedish Club while we honor six people and projects that have preserved our neighborhood heritage and values.

Honorees include preservationist Gary Gaffner (posthumously), Seattle Pacific University Alexander HallVilla FrancaPicture Perfect Queen AnneThe Pratt House (218 W. Kinnear), and Nielsen’s Pastries.

Light hors d’oeuvres, non-alcoholic refreshments, wine & beer

Tickets ($20.00 per person) at https://www.brownpapertickets.com/event/4206569 

170 Prospect St: Brace-Moriarty Residence

Lumberman John Stuart Brace (1861-1918) started his lumber business in Spokane in 1878 and moved to Seattle 10 years later with his family to work with his father in the mill industry.  In 1890 he married Katherine Frankland Brace (1861-1924) and they had three girls and two boys.

In 1892 Brace served on the city council and three years later he became Superintendent for Western Mills.  By 1899 the Brace & Hergert Mill Company was successfully operating at the intersection of Valley St and Terry Ave in South Lake Union, now a part of Lake Union Park.

In 1904 Brace commissioned a home to be designed by the Kerr and Rogers partnership.  The home was built from old growth trees by his lumber company.  As President of the Lake Washington Canal Association, Brace met with government officials and committees of businessmen, and directed the educational campaign in favor of the canal.  In 1918 John Stuart Brace died in his home after a 3-month illness.

“A very patriotic, high type of citizen was Mr. Brace. I know of no man with whom I have come in contact within recent years that impressed me as being so broad, unselfish and fair-minded, nor one in whom more confidence could be placed. He was a splendid friend. Not alone for his work… but in many other ways was he a friend of the community. It is doubtful if the full measure of the community’s debt to him will ever be fully known.” Lawrence J. Colman

…Continue reading “170 Prospect St: Brace-Moriarty Residence”

Hiram M. Chittenden: A critical look at the man who built the Ballard Locks

Montlake Cut Opening Day, July 4, 1917 (courtesy of MOHAI)

July 4, 2017 marks the 100th anniversary of the opening of the Lake Washington Ship Canal and the Ballard Locks.

Feliks Banel, an intrepid marketeer of local history, produced a program that aired today June 28 on KIRO radio about Hiram M. Chittenden, the engineer who designed the entire system from Renton to Salmon Bay and re-plumbed King County waterways. Banel raises interesting points about local history and how we go about interpreting it, especially when we discover unsavory aspects.

 

 

The Fremont Bridge in 1936. It turns 100 on July 4.

Here’s the link to the broadcast:

Centennial reveals complicated legacy of Ballard locks’ namesake